L '"shady" in Mantua, which I have already said, the chiaroscuro-universality of all the circumstances of the classic' prerente hours and a certain landscape, according to the temperament of the individual variability of mood in which the artist is to form general expression-is it not to be found in the interpenetration of opposites characters of its cultural origin, being one of the extreme northern outposts of the universality of the solar Mediterranean within the continental Latin Lombard, the fabled Valley Rome from its principles, through the Tuscan who has revived the Etruscan origin, and the universe to be extreme southern Germany, the last make and garrison terminal severe and bizarre that order, in its descent to the valley beyond Trent, and Verona, to the fortifications on the latest certified Po? Where the two different manners are confused and do not blur the 'one another, each other does not oppose?
