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Shadow Editions: Anna Cascella Luciani META / TERRESTRIAL

the Gulf 15

Three poems by Anna Cascella Luciani and an etching by Gaetano Bevilacqua. Composed and printed with movable type on paper Hahnemühle Bodoni.

The print run is exemplary and thirty-five tests. Booklet Size: 185x135 mm. Incision measures: 123x80 mm. Salerno, December 29, 2009.

1
three swallows arrive
- pioneer the advent -
curls blacks to worship
air - or greedy -
sign that winter is ending the shortage

and also my age takes away
-
at least for a while - several months -
Time
made to the mild sky -

2

(life )

me conquer the dates
migration - that of birds in flight from
-
those trips celestial -
spell resistant -
instinctive - the wise
go - go -
that visit us without
know -
miracle species - the certainty fatal immune

of the track -

3
nice clouds
- Spring - Blue Horses

- edge of heaven -
fields of dreams - walking
of tall grass - light - and then waving purple

- evening - shell
democratic and regal -

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shadows. A look back (1)

SIGNS

Two poems by Maurizio Marotta and an etching-aquatint of Pierluigi Clean pull to press on a Leporello Guarro paper. Richard de Bas paper sleeve. Format of the booklet: 210x135 mm. Measures of engraving: mm198x757. Bodoni Fonts. Circulation: Thirty specimens. Calow, April 1994.

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EXQUISITE NOTHING MORE THAN A BOOK

Valeria Claw, linocut for the title of "Mice" by Lev Tolstoy. Milan, 1990.

Nobleman: Now this is what I call workmanship. There is nothing on earth more exquisite than a bonny book, with well-placed columns of rich black writing in beautiful borders, and illuminated pictures cunningly inset. But nowadays, instead of looking at books, people read them. A book might as well be one of those orders for bacon and bran that you are scribbling.

SAINT JOAN, Scene IV
George Bernard Shaw, 1924

Franco Dugo, "Temporale", acquaforte.

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BONNY LOOK OF THE DAY: JASMINE D'AMBROSIO

From November 7 to 29 will be situated within the monumental complex of Santa Sofia in Salerno, the exhibition "The look of the day", promoted by Giordano Bruno Country by Associated signs and Bottega San Lazzaro, sponsored and supported by the city of Salerno, the Province of Salerno, the City and Country ISIA in Urbino. The exhibition and conference, strongly desired by Vito May, in the catalog that explains the purpose of the project, pays homage to three years after his death in Jasmine D'Ambrosio unforgettable intellectual figure who deeply influenced the artistic events of recent decades: a gift given to the works of those artists with whom he worked and shared a season of intense fervor, playing the new climate of Salerno, his change its momentum.
The exhibition, curated by Massimo Bignardi and staged in the spectacular setting of the Church of the first level of the monumental complex of Santa Sofia, which has hosted prestigious exhibitions of international importance - and offers the works of Fraefel Barbla, Mario Carotenuto, Enzo Caruso, Angela Cascone, Mario Cresci, Philippe Di Folco, François Fabrizi, Vito Falcone, Peter Fraefel, Luigi Franzese, Peter List, Alfonso Mangone, Ugo Marano, Pino Musi, Luigi Pagano, Corrado Pellecchia, Antonio Petti, Angelomichele Risi, Angelo Riviello, Matthew Sabino, Paul Signorino, Sergio Vecchio. In the intent
"This exhibition - explains Adriana chairman of Giordano Bruno in May - there is the desire to celebrate the memory of a friend who has profoundly marked our consciousness and educated two generations of graphics, but to retrace the paths of his look, with its intricate painting, sculpture, drawing and ceramics, in short, when participating artists with their friends the adventure of a show or working on the 'magic box' of a catalog. "
works that give life to the exhibition and then assume the identity of a witness of the day, moments and, in particular, reproduce the anxiety that has passed through the long dream of a generation. The exhibition
will be traveling and will end in Countryside, the city that gave birth in the summer of 2010.
The conference will be held at the Hall of the Banner of the City Palace, a study day devoted to the multifarious activities of Jasmine D'Ambrosio, with assistance from Massimo Bigner, Philippe Di Folco, Frank Vitelli, François Fabrizi, Sebastiano Martelli, Rino Mele and Generoso Picone that will also be the moderator.
in support of the exhibition catalog will be published by Editions 10/17.

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Pulcinoelefante ARTISTS AND FRIENDS: Marcello Napoli ALFONSO GATTO

A poem by Marcello Napoli and an etching by Gaetano Bevilacqua. Hahnemühle papers for texts and Amatruda Amalfi for the image. Book format: 191x134 mm. Engraving: 85x103 mm. Circulation: 30 copies. Printed by Alberto Casiraghy \u200b\u200bOsnago in May 2009. G IA The stave notes
A hrough the islands of your eyes,
T ra the cusps of the fingers, the smoke
T remolante cigarette
O an echo of the waves and memory ...

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1909-2009 editions of the Shadow: Francesca Matteoni CHOIR OF BLOOD AND FIRE

the Gulf 14

Three poems of Francesca Matteoni and a engraving by Gaetano Bevilacqua pulled to press on Hahnemühle paper Bananenpapier and Tigerlily.
booklet Size: 185x135 mm. Incision measures: 120x75 mm. Text: movable Bodoni. Circulation: 30 copies + five tests. Salerno, July 4, 2009.

I

In Heaven, which flex muscles
hairless bodies of acetylene, shielded cloud cover to cover
as we sleep after the pain
feeds us in the fields of steel cables
eggs pregnant alcohol in the fire, for star dust.

The name shown is suspended in the air longer and the dogs tend
ears to the noise
away from the bright spots of tears.

If there was

your pain was gone in the water
infected with a cloth on the legs - I wanted to remove the case

pressure freezing bodies to preserve the blood
bilious, green sewage.

Then most of all I love and finally having
serene hand written on paper - but only the dead abyssal
vessels
ate the occipital bone leather
mouth kept me in the debris.

I was the bottom, where opaque slag afloat.

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Watercolours & Acrylics

the golfo_watercolour & acrylics on moleskine paper_cm 14x9

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light cielo_watercolours & acrylics on 14x18 hahnemule paper_cm

golfo_watercolours on the moleskine notebook paper_cm 14x9

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Shadow Editions: Walt Whitman TWO LINES FROM SONG OF MYSELF

in Umbria educatae
37 A fragment from Song of Myself by Walt Whitman and a linocut by Gaetano Bevilacqua pulled to press on Graphia cards (for text and the image) and Canson (to cover).
movable type: Garaldus. Book format: 155x135 mm. Incision measures: 131x60 mm. Circulation: 30 copies + XVIII. Salerno, June 2009.

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Sik

Sunday, May 3, 2009

the world how I want (Mantova Sik)
"Were you out?" I rang several times before, and you answered "he said Kallu, the call from his village, where he is with Bimla and her children to a marriage party, in the functions of barber substituting the father who has eye problems." Yes, I was out. I was in India ..."" In India? In which city of India? "Kallu he added, according to the game." I'll tell you when I'll ricontattarti.E when the 'I called, I started to clarify the meaning of my beat. "In India what City? Mantova! I was in Mantua, Mantua and is now a city of India because the Sikhs will celebrate their feast, the feast of Vaisaki.E I started to tell him how the party has captured me while I was at home, after lunch, and I predisposed to go later by my mother in Modena, when I started to feel a growing roll of tabla, drums, have rushed to the windows, and across the courtyard, on the street, I began to see the head of the procession that marched, five flag bearers with the emblems of the two scimitars-sik, the two-edged dagger and the disc Kandha - followed by five priests of the five swords, which had just been preceded by the woman who sweeps the street and of the men who sprinkled to purify
the next step of the cart that holds a copy of ' Adi Sri Guru Granth Sahib, the holy book of Sikkhismo, a man venerable
preserved from all impurities Chauri fanning over a cloth that covers it, behind the men with the banners, Sikhs in turbans or cover their orange handkerchiefs feei, women of all ages and with children, the youngest in strollers, bright colors their Salavati qamiz. "Kallu, I joined the procession and I found myself in India, I was in Mantua and in India at the same time, without taking your ticket or flight, under the same sun wonderful" But here, they are 44-45 degrees in Khajuraho ... "I corrected Kailash.E I told him of the many, many women among the bearded Sik, men who were offering fruits, samosas, dahl, mango juice and bread, the participants and those on the doors, across the street witnessed the continuous and festive, noisy procession that marched between sounds and songs from other Christian denominations, and closed in refractory ' noon hour, impassive in the impossibility of setting up a similar
as in the days of my childhood,
the gates that opened in the parades,
and breaks that were being produced, to ensure the conduct of dueling rituals gatka, with swords, chains ....

sticks until the procession is not escaped and was lying in the shade of linden trees and the sunshine of open spaces of the Palazzo Te,
did not start the ceremony on stage, among the singers lined up, as in the halls of Hard Apple, three winters ago, in Allahabad ...


"What beautiful, What Beautiful. .." Kailash was in India, is only missing you ... between the Punjabi including tea pco ritorno.Felice will be in the world as I wish it was like to be 'Advent.

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EDITIONS OF THE SHADOW: Delio Tessa A PRAYER


* "O Lord, that if t'ee Decis
tuttcoss vague to patrèm,
so be it, Lord, Amen,
since t'ee decided!

But if gh'è ancamò on Freguja
minimissem de de
hope except for those few who ance
de onestaa and de honor, I VUIJ

supplicatt in genuggion
de salvall. Salvom, Sir, the
ultem gott the desonor,
O God that if you bon. "

*
"Oh lord, you know
decided that everything goes to hell,
so be it, Lord, amen,
since you have decided!

But if you still have a tiny shred of hope

to save what little remains of
honesty, I want

beg on my knees
to save it. Save us, Lord,
the last drop of dishonor,
oh Lord, you who are good. "

This prayer in verse, he writes in his book Franco Loi Milan. The look of Delio Te ssa, published by Edizioni Unicopli in 2003, was probably written by Tessa in 1939, shortly before his death. It seemed more suitable, not strictly religious sense, in these times when few patterns and behaviors produced by eclipse, at times, honesty, humanity and respect for staying in the minds of most.

The edition was printed in memory of Luigi Longhi, Maestro printer in Calow.

The text was composed with movable Bodoni: bodies 14 and 24 round clear title in italics, size 12 clear round for poetry, in 10-round light in the colophon.
The incision is an etching on the brass plate. Margaret took care of the final assembly of specimens drawn.

the Gulf 13

A PRAYER

Delio Tessa A poem with an etching by Gaetano Bevilacqua

pull up a press card Amatruda Amalfi (for text and engraving)

and Hahnemühle (to cover). Book format: mm. 185x130.

engraving Measures: mm. 109x77. Circulation: 35 copies bound by hand.

Salerno, April 21, 2009.

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EDITIONS OF THE SHADOW: Robert Frost October

*

O hushed October morning mild, Thy leaves

haves ripened to the fall;

To-morrow's wind, if it be wild, Should waste

Them All.

The crows above the forest call;

To-morrow they may form and go.

O hushed October morning mild,

Begin the hours of this day slow,

Make the day seem to us less brief.

Hearts not averse to being beguiled,

Beguile us in the way you know;
Release one leaf at break of day;

At noon release another leaf;

One from our trees, one far away;

Retard the sun with gentle mist;

Enchant the land with amethyst.

Slow, slow! For the grapes' sake, If They Were All,

Already Whose leaves are burnt with frost,

Whose clustered fruit must else be lost -

For the grapes' sake along the wall.

*

O gentle and quiet morning of October,
your leaves are ready to fall;
The wind tomorrow, if storm is, how many
All the scatter.
Crows will draw over forest;
Maybe tomorrow they will leave the alarm.
O gentle and quiet morning of October,
Start slow hours of that day,
Fa 'the day we are less quick.
Our hearts are not adverse to the illusion,
Illudili as you already know.
Detach a leaf when the day is full of anxiety;
unplug another in the south;
One of our branches, a more distant.
slows the sun with gentle mist;
Enchant fields of amethyst. But
slow. Slowly!
If only for the good of the vineyard
from the leaves already marked by the cold, I
which clusters will be lost in another way -
For the sake of those grapes along the wall.

aaaaaaaaaaaaaaaaaaaaa (trans. by Maurizio Marotta)

October by Robert Frost is an invocation to nature. An invitation to be kind to autumn with its fruits, to life to be benign. The same intention, slow down time, had the prayer we speak softly when we learned of the disease Jasmine D'Ambrosio, graphic Salerno known and highly appreciated the intra-and extra moenia. That October, and his evil have been faster and more ferocious. Jasmine passed away November 6, 2006. This plaquette is dedicated to him, his eyes gentle and travels to imprint the date of the first anniversary of his death.

I used movable type Bodoni for text: the bodies 14 and 24 round clear italics in the title, size 12 clear round for poetry; body 10 clear round in the colophon. The images are printed from woodcuts. The simple thread that ties together the sheets were tied by Margaret.

October is the first title in a series devoted entirely to wood engraving and printing of arrays in the plan.

with a wooden

October

A poem by Robert Frost translated by Maurizio Bevilacqua Gaetano Marotta with woodcuts drawn up a press card Amatruda Amalfi (for text and engraving) Hahnemühle and (to cover). Book format: mm.185x130. Measures engraving: mm. 109x77.

Circulation: 30 copies bound by hand. Salerno, November 6, 2007.

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