THE VANITY 'E' A sigh NIGHT
Show Staff
LIBRARY MASSENA 28
Via Massena 28 Torino
from March 15 to April 5, 2008
are in front, once again, the new production of Giorgia and Claire Once again I find myself looking forward to the interior of a human being who expresses the his desire to claim a Generic individualism away from any pretense of universality.
Almost a need, yea, a need for the absolute. But not taking part in a vague undifferentiated perfection but a simple meeting with his ego.
's all I want to be ".... a free ....". This is the one that echoes in front of the beautiful paintings. Freedom, a strong sense of freedom. Above all, free to be themselves stessa.Opere dense memory. Each canvas makes each track appears unsettled, which is absorbed and transformed the face structure, in fact. The fragments of the spaces that emerge as this year. At times like blinding flashes of a magma istante.Come of wires that branch off continuously, memory persists and continues, digs deep to play the outside, seen you somewhere.
The information thus becomes a form, the topical summary of past and present, memory is part of the work echoing a mood that invokes an ideal future as possible. Always on the edge between inside and outside, the work then listen to the sounds of silence in contrast to the noise esterno.In this contrast, this apparent paradox is inherent in the magic of his rarefied dipingere.Giorgia see the peeling walls, the plaster overblown , evokes the shadows that lurk in dark corners of his ego. Once discovered, waiting for the light come tumbling down to crush the compactness, scatter the shadows, so that it could unravel the secrets that surround those shadows. And as if to stop time, no, it is as if he wanted to create a level playing field to upset the normal passage of minutes, hours, stagioni.E of 'just from those dark corners that the heat is spread and spreads, as the boundary of a fading memory. It 's like to evoke the complex of Novalis, "dreams of intimacy as others dream land the size of the sky." His language alludes to such an intricate and indefinite bloom of life. Life, which is the only sure thing that the artist can feel the same because he is involved and dragged. And with a shiny giddiness he pours the results on the canvas. From
good alchemist, assembles, stratified on its fiber hidden drawing a thin patchwork of evocative poetic impressions of realtà .Consapevole that the manual is the only process leading to the conscience of art, through painting Giorgia describes itself through tension then suggests that the structural with the softness of the lumpy material, its roughness and its fissure, with signs that cross the areas of consolidation and which accentuate the plasticity. And when it extends to the area, when you compact (the whites with blacks, yellows with orange, red) here are the small cracks that interrupt the path. Tiny craters that open slots as the bubbles of light here is ready to explode. Regardless of a modernism that sought to dismiss too hastily the season of the informal, Giorgia lives then his own tradition in the manner of their own intellectual charge translating emotions into the pages of that experience which is its long, slow work vissuto.Il drying processes then the whole matter, so as to make the work self expression, open to an infinity of horizons in which the images are a metaphor for problems in general, emphasizing reflection on the meaning of existence and the passage of time. In this way freely reaches its intent not on anything but flat gestural and enlivens all finished with the effect of a swarm, trepidation and ferment of matter. The repertoire that she gives us is therefore a repertoire full of suggestions and impulses emotive.Ognuno of us can hook you you can, everyone can identify.
Almost a need, yea, a need for the absolute. But not taking part in a vague undifferentiated perfection but a simple meeting with his ego.
's all I want to be ".... a free ....". This is the one that echoes in front of the beautiful paintings. Freedom, a strong sense of freedom. Above all, free to be themselves stessa.Opere dense memory. Each canvas makes each track appears unsettled, which is absorbed and transformed the face structure, in fact. The fragments of the spaces that emerge as this year. At times like blinding flashes of a magma istante.Come of wires that branch off continuously, memory persists and continues, digs deep to play the outside, seen you somewhere.
The information thus becomes a form, the topical summary of past and present, memory is part of the work echoing a mood that invokes an ideal future as possible. Always on the edge between inside and outside, the work then listen to the sounds of silence in contrast to the noise esterno.In this contrast, this apparent paradox is inherent in the magic of his rarefied dipingere.Giorgia see the peeling walls, the plaster overblown , evokes the shadows that lurk in dark corners of his ego. Once discovered, waiting for the light come tumbling down to crush the compactness, scatter the shadows, so that it could unravel the secrets that surround those shadows. And as if to stop time, no, it is as if he wanted to create a level playing field to upset the normal passage of minutes, hours, stagioni.E of 'just from those dark corners that the heat is spread and spreads, as the boundary of a fading memory. It 's like to evoke the complex of Novalis, "dreams of intimacy as others dream land the size of the sky." His language alludes to such an intricate and indefinite bloom of life. Life, which is the only sure thing that the artist can feel the same because he is involved and dragged. And with a shiny giddiness he pours the results on the canvas. From
good alchemist, assembles, stratified on its fiber hidden drawing a thin patchwork of evocative poetic impressions of realtà .Consapevole that the manual is the only process leading to the conscience of art, through painting Giorgia describes itself through tension then suggests that the structural with the softness of the lumpy material, its roughness and its fissure, with signs that cross the areas of consolidation and which accentuate the plasticity. And when it extends to the area, when you compact (the whites with blacks, yellows with orange, red) here are the small cracks that interrupt the path. Tiny craters that open slots as the bubbles of light here is ready to explode. Regardless of a modernism that sought to dismiss too hastily the season of the informal, Giorgia lives then his own tradition in the manner of their own intellectual charge translating emotions into the pages of that experience which is its long, slow work vissuto.Il drying processes then the whole matter, so as to make the work self expression, open to an infinity of horizons in which the images are a metaphor for problems in general, emphasizing reflection on the meaning of existence and the passage of time. In this way freely reaches its intent not on anything but flat gestural and enlivens all finished with the effect of a swarm, trepidation and ferment of matter. The repertoire that she gives us is therefore a repertoire full of suggestions and impulses emotive.Ognuno of us can hook you you can, everyone can identify.
Michele CARANO
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