Staff. The vertigo of light than the color. Caramagna (CN) from September 18 to October 3, Gallery Exhibition Blessed Caterina
The city of Caramagna, with the support of Regione Piemonte, the Province of Cuneo and in collaboration with the Association of Art and Culture Beppe Morino, Exhibition Gallery will host the Blessed Catherine (near the Tower of Caramagna) the artist's personal Giorgia CLAIRE, " THE VERTIGO OF LIGHT, beyond color " from September 18 to October 3, 2010. The inauguration will be held Sept. 18 at 17, followed by opening reception.
INFORMATION
TIMES: Friday
14.30/19
Saturday, weekends and holidays hours 10/13 - 14.30/19
OFFICE EXHIBITION AND BOOK GROUP:
Dario Colombo: 328/3919214
Giorgia Claire : 347/7854623 - @ yahoo.it giorgia.claire
ADMISSION: free admittance
Curated by:
Giorgio Barberis, Giorgia Claire
Artistic Coordinator:
Giorgio Barberis, Giorgia Claire, Fulvio Berardo
BROCHURE:
When
OFFICIAL SITES:
www.comune.caramagnapiemonte.cn . it
www.giorgiaclaire.blogspot.com
www.giorgiobarberiscriticodarte.blogspot.com
Monday, August 30, 2010
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Prof. Giorgio Barberis, writes CLAIRE
"In order to respond to such criticism I see on the usual site of Giorgia should be noted that the author Symbolism is between Eastern Europe, non-iconic nature, and the iconic Western, whose synthesis is fatal because it goes to affect transfiguring the key images that become abstract, just as in the latest artistic trends of the twentieth century Europe. His works give off an area so central Europe which makes them attractive to an educated public, sensitive and expert bodies of the "modernist." The strong aptitude for abstract forms-geomeriche (undoubtedly derived from his training) mirrors undoubtedly a taste stilizzante, creating Abstractism contemporary and great execution of action painting that clearly influence, especially in the large canvases. In the case of Giorgia is also true that the wealth of material, produced by integrating the art with materials of various nature and origin, color and fullness of pulp, continuously reinvented, reveal a mastery of media, which render the plasticity and volume, the prerogatives of our classic (not to ignore that person to be attentive to art history, has rightly suffered the influences of the great masters of the past) is not need to rack one's brains as much in an attempt to force any kind of rational reading. It is clear that the themes are drawn to a source with infinite continuous flowing stream without stopping ever ... Fantasy, particularly unrestrained in his work. Driven by an ineffable mystery that is creativity. It is to pour out on canvas and other media wave of bright colors that are distributed in an apparently Random Geometric divergent scores second, all still in character ... fitoformico scrolls, spirals, irregular, undulating lanes, unsuspected corners ... vibrant colors, sensual, almost always chosen from among the hot and not radians. Pictorial and plastic scans bold steps, that of Claire, but still graduated from full color and luminescent, especially in recent times, where the overlap is more clean and sharp geometric interpretations speak of landscape, of personal feelings, such a way that goes beyond producers and management of signs. The title of each work, almost always based on the concept of "unusual," makes obvious reference revisited with a modern expression, but what matters most is the His courage to venture into that fantastic universe, and everything that can reasonably be inferred from a reading of his "paintings", sometimes sculptural, introduces a Cosmo Mystery, that only the "third eye", that of the Spirit, can illuminate and to understand what is personal and can not be traced Giorgia tou curt predecessors which, for convenience of critical facility, has always been compared.
Prof. Giorgio Barberis
www.giorgiobarberiscriticodarte.blogspot.com
"In order to respond to such criticism I see on the usual site of Giorgia should be noted that the author Symbolism is between Eastern Europe, non-iconic nature, and the iconic Western, whose synthesis is fatal because it goes to affect transfiguring the key images that become abstract, just as in the latest artistic trends of the twentieth century Europe. His works give off an area so central Europe which makes them attractive to an educated public, sensitive and expert bodies of the "modernist." The strong aptitude for abstract forms-geomeriche (undoubtedly derived from his training) mirrors undoubtedly a taste stilizzante, creating Abstractism contemporary and great execution of action painting that clearly influence, especially in the large canvases. In the case of Giorgia is also true that the wealth of material, produced by integrating the art with materials of various nature and origin, color and fullness of pulp, continuously reinvented, reveal a mastery of media, which render the plasticity and volume, the prerogatives of our classic (not to ignore that person to be attentive to art history, has rightly suffered the influences of the great masters of the past) is not need to rack one's brains as much in an attempt to force any kind of rational reading. It is clear that the themes are drawn to a source with infinite continuous flowing stream without stopping ever ... Fantasy, particularly unrestrained in his work. Driven by an ineffable mystery that is creativity. It is to pour out on canvas and other media wave of bright colors that are distributed in an apparently Random Geometric divergent scores second, all still in character ... fitoformico scrolls, spirals, irregular, undulating lanes, unsuspected corners ... vibrant colors, sensual, almost always chosen from among the hot and not radians. Pictorial and plastic scans bold steps, that of Claire, but still graduated from full color and luminescent, especially in recent times, where the overlap is more clean and sharp geometric interpretations speak of landscape, of personal feelings, such a way that goes beyond producers and management of signs. The title of each work, almost always based on the concept of "unusual," makes obvious reference revisited with a modern expression, but what matters most is the His courage to venture into that fantastic universe, and everything that can reasonably be inferred from a reading of his "paintings", sometimes sculptural, introduces a Cosmo Mystery, that only the "third eye", that of the Spirit, can illuminate and to understand what is personal and can not be traced Giorgia tou curt predecessors which, for convenience of critical facility, has always been compared.
Prof. Giorgio Barberis
www.giorgiobarberiscriticodarte.blogspot.com
How Get Rid A Overbite
Works Giorgia Giorgia
A MOMENT OF ETERNAL SPRING, oil on cardboard 400g, 70x100cm
THE MIND IN THE SPACE OF TIME, oil on cardboard 400g, 70x100cm
souvenir photos from the unconscious, oil on canvas, 80x100cm
CHECK THE QUEEN, oil on cardboard 400g , 70x100cm
JOURNEY THROUGH THE HANDS, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
JOURNEY THROUGH THE BALLS - I, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
JOURNEY THROUGH THE HANDS - II, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
TRAVEL HANDS ACROSS THE - III, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
THE FLIGHT OF THE BUTTERFLY, mixed media on cardboard 140g (oil, tar), 70x100cm
DOORS concerning the invisible mixed on cardboard 400g (oil, tar), 70x100cm
left traces of its passage, oil on cardboard 140g, 70x100cm
CHARGE OF OPPOSITES, oil on dust, 50x70cm
regular intervals, dusting oil, 50x70cm
Gravity ', mixed media on canvas (oil, enamel, tar, jute), 50x50cm
THE EMBLEM through matter, oil dust, 50x70cm, Art Gallery of the City of Caramagna (CN)
in the Garden, oil on dust, 50x70cm, private collection Grappeggia
Dusk, oil on dust, 50x70cm, Art Gallery of the Province of Cuneo
NAKED LIGHT OF DAY, mixed media on dusting, 50x70cm, private collection Carano
SURE OF DOUBT, mixed media on canvas (oil, chalk , tar), 80x100cm
HANGING OUT OF TIME (detail), oil on cardboard, 90x100cm
LAYER SPRAY COLORS, mixed media on dusting, 50x70cm, private collection Carano
VERMIGLIO RED CARPETS, oil dust, 50x70cm, private collection
THE SAND LAND, oil on dust, 50x70cm
CONSCIENCE OF BOLD, dusting oil, 50x70cm
THE SKY ABOVE ME, oil on cardboard, 90x100cm
THE CASE OF DREAMS, dusting oil, 50x70cm
WORD D 'ORDER dusting oil, 50x70cm
clouds hanging from the ceiling, oil on dust, 50x70cm
FIRST KISS, dusting oil, 50x70cm
POWDER HONEY, dusting oil, 50x70cm
TWO SILENT VOICES, oil on cardboard, 90x100cm
SEED POTATO (detail) mixed media on iron bridge, 100x100cm
SEED POTATO - 10kg net, mixed media on iron bridge (oil, enamel, jute, tar, dust) 100x100cm
a month later, oil on cardboard, 90x100cm
the sleeper, mixed media on canvas (oil, enamel, jute, tar), 100x120cm
HANGING OUT OF TIME, oil on cardboard, 90x100cm Private Collection
TWO SILENT VOICES, oil on cardboard, 90x100cm Private Collection
clouds hanging from the ceiling (detail), oil on dust, 50x70cm
The clock strikes 10, oil on dust, 50x70cm, private collection
ABSOLUTE TRUTH ', pastel and oil on dust, 50x70cm
ABSOLUTE TRUTH' (detail), pastel on dusting, 50x70cm
THE SECRET 'INTERCEPT THE DESIRE, oil on dust, 49x49cm
E 'archetype of a past life, oil on dust, 50x70cm, private collection Gallo
wind passage, pastel and oil on dust, 50x70cm
SOMETIMES, RETURN, pastel and dusting oil, 50x70cm
THE BIG RED, pastel and oil on dust, 50x70cm
key, mixed media on wood (oil, tar), 65x55cm
checkmate, oil on wood, 165x56cm
JOINS THE ROOM, oil on wood, 181x54cm
A MOMENT OF ETERNAL SPRING, oil on cardboard 400g, 70x100cm
THE MIND IN THE SPACE OF TIME, oil on cardboard 400g, 70x100cm
souvenir photos from the unconscious, oil on canvas, 80x100cm
CHECK THE QUEEN, oil on cardboard 400g , 70x100cm
JOURNEY THROUGH THE HANDS, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
JOURNEY THROUGH THE BALLS - I, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
JOURNEY THROUGH THE HANDS - II, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
TRAVEL HANDS ACROSS THE - III, mixed media on canvas (oil, tar, acrylic), 3x50x50cm
THE FLIGHT OF THE BUTTERFLY, mixed media on cardboard 140g (oil, tar), 70x100cm
DOORS concerning the invisible mixed on cardboard 400g (oil, tar), 70x100cm
left traces of its passage, oil on cardboard 140g, 70x100cm
CHARGE OF OPPOSITES, oil on dust, 50x70cm
regular intervals, dusting oil, 50x70cm
Gravity ', mixed media on canvas (oil, enamel, tar, jute), 50x50cm
THE EMBLEM through matter, oil dust, 50x70cm, Art Gallery of the City of Caramagna (CN)
in the Garden, oil on dust, 50x70cm, private collection Grappeggia
Dusk, oil on dust, 50x70cm, Art Gallery of the Province of Cuneo
NAKED LIGHT OF DAY, mixed media on dusting, 50x70cm, private collection Carano
SURE OF DOUBT, mixed media on canvas (oil, chalk , tar), 80x100cm
HANGING OUT OF TIME (detail), oil on cardboard, 90x100cm
LAYER SPRAY COLORS, mixed media on dusting, 50x70cm, private collection Carano
VERMIGLIO RED CARPETS, oil dust, 50x70cm, private collection
THE SAND LAND, oil on dust, 50x70cm
CONSCIENCE OF BOLD, dusting oil, 50x70cm
THE SKY ABOVE ME, oil on cardboard, 90x100cm
THE CASE OF DREAMS, dusting oil, 50x70cm
WORD D 'ORDER dusting oil, 50x70cm
clouds hanging from the ceiling, oil on dust, 50x70cm
FIRST KISS, dusting oil, 50x70cm
POWDER HONEY, dusting oil, 50x70cm
TWO SILENT VOICES, oil on cardboard, 90x100cm
SEED POTATO (detail) mixed media on iron bridge, 100x100cm
SEED POTATO - 10kg net, mixed media on iron bridge (oil, enamel, jute, tar, dust) 100x100cm
a month later, oil on cardboard, 90x100cm
the sleeper, mixed media on canvas (oil, enamel, jute, tar), 100x120cm
HANGING OUT OF TIME, oil on cardboard, 90x100cm Private Collection
TWO SILENT VOICES, oil on cardboard, 90x100cm Private Collection
clouds hanging from the ceiling (detail), oil on dust, 50x70cm
The clock strikes 10, oil on dust, 50x70cm, private collection
ABSOLUTE TRUTH ', pastel and oil on dust, 50x70cm
ABSOLUTE TRUTH' (detail), pastel on dusting, 50x70cm
THE SECRET 'INTERCEPT THE DESIRE, oil on dust, 49x49cm
E 'archetype of a past life, oil on dust, 50x70cm, private collection Gallo
wind passage, pastel and oil on dust, 50x70cm
SOMETIMES, RETURN, pastel and dusting oil, 50x70cm
THE BIG RED, pastel and oil on dust, 50x70cm
key, mixed media on wood (oil, tar), 65x55cm
checkmate, oil on wood, 165x56cm
JOINS THE ROOM, oil on wood, 181x54cm
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